Sometimes you are in sync with the times, sometimes you are in advance, sometimes you are late.
BERNARDO BERTOLUCCIIf you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
More Bernardo Bertolucci Quotes
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I don’t see my movies. I think it’s healthier and safer to keep a bit of distance. I’m afraid to be disappointed.
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English dialogues are always just what you need and nothing more – like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
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Commuting in a wheelchair is not easy. I live in a very old part of Rome. These cobbles everywhere… terrible! In London, it is the same. Every pavement is uneven.
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What I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
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I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
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I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
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A monoculture is not only Hollywood, but Americans trying to export democracy.
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
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The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
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I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
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New York has always embraced me.
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There you have Quentin playing with kung-fu. That’s why the independents are the most interesting.
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I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late ’50s, early ’60s, the neo-realism lost its great energy and became comedy.
BERNARDO BERTOLUCCI -
A dolly move is a moral commitment.
BERNARDO BERTOLUCCI