There you have Quentin playing with kung-fu. That’s why the independents are the most interesting.
BERNARDO BERTOLUCCIIf you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
More Bernardo Bertolucci Quotes
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The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
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For example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
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This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
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Sometimes you are in sync with the times, sometimes you are in advance, sometimes you are late.
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I am still against any kind of censorship. It’s a subject in my life that has been very important.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
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To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
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There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
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I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
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Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
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Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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A dolly move is a moral commitment.
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
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I think that what I learned then, I didn’t know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema.
BERNARDO BERTOLUCCI







