I initially felt shy about doing painting because I wasn’t a professional painter. I almost felt like I didn’t deserve to paint. But I have gradually adopted a different kind of attitude about this.
BLACK FRANCISIt’s obvious you shouldn’t steal, kill or be cruel.
More Black Francis Quotes
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Some people think, “Oh, just go do that thing you used to do before.” But it just doesn’t work like that. It’s a lot more mysterious or slippery.
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You should never rely on interviews with musicians as being factual.
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They’re pretty good actually, Hall & Oates. I gotta give them credit. They got a lot of toe-tappers.
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I listen to Neil Young and jazz and classical stations and, if my girlfriend’s driving, it tends to be Hall & Oates.
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There was a f**king review in f**king Melody Maker [of the first BOSSANOVA single, ‘Velouria’] – ‘Sounds like someone’s been taking singing lessons’. Like, motherf**king A! I am the singer.
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When I think about that I get stimulated and excited. It’s a feeling that you can’t label with words.
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I can remember back as far as age 8, performing with the Boston Folk Song Society. It was a Woody Guthrie song.
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It’s obvious you shouldn’t steal, kill or be cruel.
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I’m really inspired by the interplay of visual art and music, a total artistic environment where there’s sound and visuals.
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That’s the most important thing, to get along with people. When you feel like you click with them.
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I don’t like to have everything all worked out in my head because there’s always a chance of it coming out different than you think it should anyway.
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Who do sing SONGS. It’s like I never sang before; like I was – I don’t know – reading PROSE on my previous records and now I sing. EXCUUUUUUSE me for singing
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I drive a lot. Just for pleasure. Sometimes I’ll get in the Cadillac and drive around the city or the country, kind of trying to get lost basically. Y’know, just see where roads lead.
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For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
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You think you’ve made something really great, but there’s a reason why it’s not resonating the way some previous work did. But it’s not that easy to just replicate.
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