I don’t want to do children’s music. I write kids songs, but the kids songs I write are for my kids – like when I’m putting them to bed.
BLACK FRANCISI’m always looking to rock out. But it isn’t really about rocking out versus being mellow, in terms of your personal satisfaction. In the end, you just want to be good.
More Black Francis Quotes
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That’s the most important thing, to get along with people. When you feel like you click with them.
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I’m always looking to rock out. But it isn’t really about rocking out versus being mellow, in terms of your personal satisfaction. In the end, you just want to be good.
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I have always been a singer, a writer, and a musician, not as a prodigy or as in a trade handed to me by my parents, but because of an inner voice or maybe a command from beyond reality as it is usually defined.
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I think if everyone agrees that that’s the goal then it doesn’t matter who’s the band and it doesn’t matter who’s the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.
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I have had UFO experiences, and yet, at the same time, I can easily be convinced that none of it is true. It’s hard to say whether or not you’re a believer.
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I initially felt shy about doing painting because I wasn’t a professional painter. I almost felt like I didn’t deserve to paint. But I have gradually adopted a different kind of attitude about this.
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I’ve got a small, loyal audience, which is great. And I appreciate that. They’re there for me every time.
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When I think about that I get stimulated and excited. It’s a feeling that you can’t label with words.
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There was a f**king review in f**king Melody Maker [of the first BOSSANOVA single, ‘Velouria’] – ‘Sounds like someone’s been taking singing lessons’. Like, motherf**king A! I am the singer.
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My most cryptic, strange songs might be my most personal, but that isn’t how people are going to receive them, because they don’t know the code.
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As soon as I got into music, I tried to be a working, real artist who gets paid for what he does, who doesn’t have a day job.
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I think everybody has a painter inside of them somewhere.
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I don’t make records that way, where I’m trying to please the marketplace or anything. Not because I have anything against that, it’s just never been a part of my aesthetic, even when I was with the Pixies.
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For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
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It’s sour grapes, I admit, I want to be more famous so people are examining my work couplet by couplet, you know what I mean? That’s the level where I want to go.
BLACK FRANCIS






