To me, that’s one of the things that I love about doing this stuff. One day I can work on this piece in watercolor, and then work on something else on the computer, or work on something else that’s a completely different approach
Like Godfather, you look at a movie like that, or something that James Gray has directed, a film with minimal or pin lighting as opposed to everything being lit bright and flat, where everything is evident
Do the story in the way it really demands to be done, which may mean using several different styles or only one style; but it’s still about respecting the story
