“I think Eleanor Roosevelt always had a most incredible comfort writing letters. I mean, she was in the habit of writing letters. And that’s where she allowed her fantasies to flourish. That’s where she allowed her emotions to really evolve.”

There’s very little private time with the children in the early years. Actually, there’s much more private time with the children in the 20s.

One of the things for me, as a biographer, that is so significant is for Eleanor Roosevelt.

By 1938, Eleanor Roosevelt was so angry at FDR’s policies, she writes a book called This Troubled World. And it is actually a point-by-point rebuttal of her husband’s foreign policy. We need collective security. We need a World Court.

She writes an article which becomes an article she writes in different ways over and over and over again: Women need to organize. They need to create their own bosses. They need to have support networks and gangs so that they are a force.

I think that Hick was in love with Eleanor, and Eleanor was in love with Hick. I think it’s very important to look at the letters that are in my book, because unlike some of the recent published letters.

We need something like the League of Nations. We need to work together to fight fascism. We need embargoes against aggressor nations, and we need to name aggressor nations. All of which is a direct contradiction of FDR’s policies.

Eleanor Roosevelt loved to write. She was a wonderful child writer. I mean, she wrote beautiful essays and stories as a child. And Marie Souvestre really appreciated Eleanor Roosevelt’s talents and encouraged her talents.

I think FDR was very dashing and charming and debonair, and probably reminded her of her father. A great bon-vivant. He loved to party.

I think her Grandmother Hall gave her a great sense of family love, and reassurance. Her grandmother did love her, like her father, unconditionally. And despite the order and the discipline – and home at certain hours and out at certain hours and reading at certain hours,

And during the campaign of 1936, she writes that she and her brother would always rather be out doing things when they’re sick, rather than take to their beds.

And I think Eleanor Roosevelt always responded to pain by doing more, by doing something, by being active. And I think she just couldn’t bear to look at her childhood grief. And she didn’t.

You know, unloved, judged harshly, never up to par. And she was her father’s favorite, and her mother’s unfavorite. So her father was the man that she went to for comfort in her imaginings.

And in her [Eleanor Roosevelt] letters, she writes the most, you know, fanciful letters: when we are together, and when we are reunited, and you know,

And there’s something about, you know, when your mother dies, this sense of abandonment. I think Eleanor Roosevelt had a lifelong fear of abandonment and sense of abandonment after her parents’ death.

Like traditional upper class families, there are nannies and servants, and the children, you know, come in to say good-night before they go to bed.

So in 1924, Eleanor Roosevelt really gets a sense of what the limits of the battle and the contours of the battle are going to be. The men are contemptuous of the women, and the women really need to organize.

Egypt is kind of like the Hollywood of the Middle East. I mean, we had cinema maybe decades before the other Arab countries ever got independence.

Living with integrity means… behaving in ways that are in harmony with your personal values.

The Jihad is not just a way of testing yourself but also means using violence to spread Islam.

Everyone lives the way she knows best. What I mean by ‘their happiness’ is living a life untouched as much as possible by the knowledge that we are really, all of us, alone. That’s not a bad thing.

The land gets inside of us; and we must decide one way or another what this means, what we will do about it.

Unlike multiculturalism, cultural pluralism doesn’t just mean diversity but also togetherness – primarily the understanding of the rules of the game – the European values structure.

A writers job is to destroy and then to build the thing back up again by a chosen means.

Fate is a ladder on which you cannot afford to miss a single rung. To skip out on even one step would mean you’ll never make it to the top.