“As a composer I might class myself as a Neo-Romantic, inasmuch as I have always regarded music as a highly personal and emotional form of expression.”

I like to write music which takes its inspiration from poetry, art and nature. I do not care for purely decorative music.

Finally, it is the communicating link between the screen and the audience, reaching out and enveloping all into one single experience.

I feel that music on the screen can seek out and intensify the inner thoughts of the characters. It can invest a scene with terror, grandeur, gaiety, or misery. It can propel narrative switftly forward, or slow it down. It often lifts mere dialogue into the realm of poetry.

Your views are as narrow as your tie.

Although I am in sympathy with modern idioms, I abhor music which attempts nothing more than the illustration of a stylistic fad. And in using modern techniques,

For my qualifying concert, Helmut Walcha would not coach Charles-Marie Widor or any American compositions. In his defense, his forte was Germanic composers, and his forte was really a fortissimo!

It may well be that some composers do not believe in God. All of them, however, believe in Bach.

I have written six symphonies, they are smaller-scale works. I seem to emit my themes, work them out, combine and intertwine them, and then come to a close. I usually feel that there are no superfluous extras, but probably most composers feel that way about their works.

The challenge to the composer is to get spontaneity into his permanence.

Men have been in the forefront of music for centuries, and they have written glorious music, loved and appreciated by many. In some ways, men are still in the forefront. There is a lot of room for composers of all types of music by both men and women, nowadays.

And then, just like that, my heart broke. My face crumpled, my composure went and I held him tightly and I stopped caring that he could feel the shudder of my sobbing body because grief swamped me.

I hadn’t realized that music could unlock things in you, could transport you to somewhere even the composer hadn’t predicted. It left an imprint in the air around you, as if you carried its remnants with you when you went.

I’ve been very fortunate as a composer to be involved with projects that have really propelled my scores forward. I’m very proud of it.