But that would put me on a path that would make me totally divergent from who I am. I don’t have to go through the heartache many other people go through, of figuring out what makes them “wealthy.” I know what brings me joy.
I’m interested in questions my son asks me, like, “Why do animals fight? Why do you have to leave us to go on the road?” Everything he asks gets me thinking.
There are not a lot of paths through the woods for someone who sings, plays the cello, and wants to tour on a human scale and create change in the world. I’m on my own path. It’s pretty awesome.
I’m in a position I never imagined I’d be in as a musician. Bob Dylan built an audience through recording and live shows. The opportunities for an artist today are totally different.
I have a lot of intention behind what I put out there. The reason all this stuff I do works together, the environmental and social, collaborating with ballet companies to score a show, the bike tour – all of that stuff comes together through community building with music.
When we cut off access to certain parts of our cities to people on bikes or in wheelchairs, we’re not only doing economic damage, we’re also doing culture damage.
What most interests me is human connection, whether it’s on the street, in community, through music, storytelling, and shared experience. People tell me to be a rock cellist, make money, and give up on the activism so I can make more money.
I’m a husband and a dad. Two thirds of my day is spent being that character. It’s a huge part of my identity and why I pursue things I do. I’m interested in questions my son asks me, like, “Why do animals fight? Why do you have to leave us to go on the road?”
New York is the culture capital of the world because people are running into each other on the street all the time. They are forced to engage in creativity and problem-solving.
You pull into the venue, check into the cheap hotel you can afford, eat whatever is there, sleep, wake up, and repeat. You’re not really participating in the community.
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