“Hopefully, I don’t ruin this guy’s precious script.” And then, after a couple of days of shooting,”

Minority is about being an individual. It’s like you have to sift through the darkness to find your place and be that individual you want to be your entire life.

If I look at my old lyrics, they seem to be full of rage, but empty. There was an emptiness in my life.

History will tell if we were really a good band or just a one day fly.

If Britney Spears would paint her ass green, I’m sure you would spot green asses all over L.A., as soon as the word was out.

It’s better to regret something you have done than to regret something you haven’t done.

Punk will never be dead to me. It’s my life. I can never just drop this lifestyle. It embodies me.

What kind of hang-ups does that person have?’ Obviously, it’s not just the catchy songs, it goes deeper than that.

I think that’s the big difference between this one [Ordinary World] and a lot of the other rock ‘n’ roll movies. They’re playing to tape, but Fred Armisen and I were actually in a rock ‘n’ roll bad together.

I got body lice in Germany! I’d tell you they were crabs, but I wasn’t getting laid.

We never fit in completely to [the punk] scene because we were writing love songs that were heartfelt and endearing.

The things that people do now in sports, you can’t even believe. These are complete total athletes. To see what human beings can do in the highest level is amazing.

Attack your instruments. Don’t let them attack you.

You can’t go voicing something if it’s just not right.

You’re not telling people to think, you’re telling them what to think. And also you have to be honest with yourself on that, too.

The fact that I was taking naps in churches, in between takes of the [Ordinary World], and there was that guerilla style of filmmaking, I felt more at home with that.

I’m a dirt bag rock and roller. I want to represent that before anything else

I see myself as a huge fiery comet, a shooting star. Everyone stops, points up and gasps “Oh look at that!” Then – whoosh, and I’m gone… and they’ll never see anything like it ever again… and they won’t be able to forget me – ever.

I get very close to people when I’m shooting them.

I get very close to people when I’m shooting them. We would go and shoot a scene with Lucy, and I would spend the whole time telling her about Rob.

Shooting is 99 per cent luck and one per cent training

Avoid all needle drugs, the only dope worth shooting is Richard Nixon.

While shooting Ten I was sitting in the backseat, but I didn’t interfere. Sometimes, I was following in another car, so I was not even present on the “set”, because I thought they would work better in my absence.

If we’re not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas – I have no problem with 35mm.

With the RED, I didn’t have this impression at all. I felt that it was as heavy as a film camera. Having this great crew, with the DP and his assistants, I found it making as much of an impression as a very big film camera.