But if I really want to produce my own work and tell stories, then I will
BILL SIENKIEWICZBut if I really want to produce my own work and tell stories, then I will
BILL SIENKIEWICZAnd that, to me, is the main attraction to comics. It’s an avenue to say what you want to say
BILL SIENKIEWICZNothing is really media driven or committee driven, so you can actually just produce something
BILL SIENKIEWICZBut with comics you’re reading and assimilating an image simultaneously, instead of just reading or watching the tube
BILL SIENKIEWICZI wanted to learn how to paint rather than just doing black-and-white work
BILL SIENKIEWICZIf you’re going to establish a certain level of unreality than you have to deal with it
BILL SIENKIEWICZI still love a lot of the guys who just paint
BILL SIENKIEWICZEspecially with Elektra, because I’m doing a lot of the covers for the new version of Elektra.
BILL SIENKIEWICZAnd I’ve never viewed comics as assignments for the client
BILL SIENKIEWICZFor a while I felt very alone; sort of out there in the world of comics, especially here in the States
BILL SIENKIEWICZSo much of Jaws was amazing because the mind filled in what was missing.
BILL SIENKIEWICZOne of the problems I have with a lot of movies these days is that everything is too well lit. In the world of digital creations there is a tendency to show too much
BILL SIENKIEWICZAfter that I jumped, especially being in art school, to the illustrators.
BILL SIENKIEWICZSo there’s kind of a simultaneous aspect to pushing the boundaries, and being very safe
BILL SIENKIEWICZComics are really my life blood in a lot of respects
BILL SIENKIEWICZI want to say 90% of stuff out there is just crap that got made. The main point is that it got produced.
BILL SIENKIEWICZ