“I had a sense, I guess, from just reading a lot of poetry of how a poem would start and how it would end but really I didn’t know what I was doing. It had very little connection to my life.”

When you get a poem [in a public place], it happens to you so suddenly that you don’t have time to deploy your anti-poetry deflector shields that were installed in high school.

I knew that poets seemed to be miserable.

It is as if one by one, the memories you used to harbor decided to retire to the Southern Hemisphere of the brain.

The pen is an instrument of discovery rather than just a recording implement. If you write a letter of resignation or something with an agenda, you’re simply using a pen to record what you have thought out.

Nationalism is a type of insanity in which the boundaries of a land replace God.

Another trouble with poetry – and I’m gonna stop the list at two – is the presence of presumptuousness in poetry.

There are just long gaps where I can’t find a point of insertion, I can’t find a good opening line.

As soon as I start to write I’m very aware, I’m trying to be aware that a reader just might well pick up this poem, a stranger. So when I’m writing – and I think that this is important for all writers – I’m trying to be a writer and a reader back and forth.

I write with a Uni-Ball Onyx Micropoint on nine-by-seven bound notebooks made by a Canadian company called Blueline. After I do a few drafts, I type up the poem on a Macintosh G3 and then send it out the door.

That’s the real question for me, is getting the reader into the poem and then taking the reader somewhere, because I think of poetry as a kind of form of travel writing.

Form is any aspect of a poem that encourages it to stay whole and not drift off into chaos.

I can’t picture myself starting out aiming to do anything or having much of an agenda.I think in writing a poem, I’m making some tonal adjustments, and it took me a long time to allow anything like fun into my poetry.

I think my work has to do with a sense that we are attempting, all the time, to create a logical, rational path through the day. To the left and right there are an amazing set of distractions that we usually can’t afford to follow. But the poet is willing to stop anywhere.

The really authentic thing about humor is that anyone can pretend to be serious. Anyone who’s ever had a job – in fact, we’re pretending to be serious now, more or less.

But my heart is always propped up in a field on its tripod, ready for the next arrow.

Listeners are kind of ambushed… if a poem just happens to be said when they’re listening to the radio. The listener doesn’t have time to deploy what I call their ‘poetry deflector shields’ that were installed in high school – there’s little time to resist the poem.

Living longer is about loving longer, learning longer, teaching longer, connecting longer.

And be connecting in other countries with other people, did open them up and empower them and their sense of being. Whether it affected their writing, it’s hard to tell.

At the same time, they are routinely pushed away from connecting to their communities as serious problem-solvers capable of changing the world.

You’re going through the horror of it, you’re going through the isolation of it but you’re being empowered by reminding yourself that you’re connected to everybody else.