“The music comes first. When Geoff has made something the inspiration comes automatically. His music is very expressive. But still is is a very difficult process: I have to add something to his music, not push it away. It has to be equal, and I find that very difficult.”

Most of the lyrics are over a year old, and it doesn’t feel like it’s about me. Time created a distance.

I am a very sensitive person, very impulsive and emotional.

I try to imagine how we would live if we didn’t know we were going to die. Would we live our lives differently? Less careful, maybe? Less scared? These are beautiful things to think about and build a song around.

There’s not only emotion in the way you sing but also in what you sing. That way I can compensate it.

The blackness of darkness, forever.

I’ve had a wordless phase, and that’s still not entirely over: what I sing is not always literally meant that way, and you can hear that in the way it is sung.

I think that after a year of Portishead I’ve become a little more sober.

A lot of people question my image and why I do what I do, and the answer is because this is how I want to present myself.

I’ve just put my heart and soul in a song and need at least a week to recover.

My voice adapts itself to the music. I can do a lot more than you hear in Portishead.

Suffering for your art is most definitely overrated but I do get a certain, I don’t know, satisfaction from being able to deal with my paranoia and insecurity.

I thought I had a clear picture of death, but now I know it’s a mystery and it will always be a mystery, although it is something we all have in common: everybody knows that life ends with death.

Love shouldn’t make our choices for us; it should just add importance to our choices.

When valuing a startup, add $500k for every engineer, and subtract $250k for every MBA.

One does not substitute oneself for the past, one merely adds to it a new link.

You will obtain a vision of matter that is perhaps fatiguing for your imagination, but pure and stripped of what the requirements of life make you add to it in external perception.

But I have to add – and this answers your other question – this catholicity in time and in space is only meaningful for me if there is, at the same time, a concentration on the Gospel.

To worry is to add another hazard.

A film is its own thing and in an ideal world I think a film should be discovered knowing nothing and nothing should be added to it and nothing should be subtracted from it.

While adding the finishing touches to a painting might appear insignificant, it is much harder to do than one might suppose.