“…I do like the low frequencies. It’s from years and years of observing audiences when they hear a lower frequency coming from an instrument it tends to pull them in.”

Spontaneity and improvisation are salient features but I also strive to make music that is peaceful. I want to make music that aids world peace in the same way that the people who shaped my development did.

Tim Price continues to explore and develop his deeply personal approach to music.

We have the precedent of Collin Powell ten years ago, when he showed the evidence, it was false, and it was forged.

Life is amazingly unpredictable; any 22-year-old who thinks they know where they will be in 10 years, much less in 30, is simply lacking imagination.

Every ten years there is a new generation of actors.

I was in a convent for a year.

What frustrated me was the thought that with three thousand years of history someone in China, some monk in a monastery halfway up a mountain, must have developed a magic kata.

My most powerful memory was hearing Earl Scruggs on ‘The Beverly Hillbillies’ as a 5 or 6 year old. That sound just blew me away, shook my head up.

I think it is very ironic that most people think that the banjo is a southern white instrument. It came from Africa and even for the first years that white people played banjo they would put on blackface.

It got a little stressful in my first two years of high school, trying to make conference calls with investors in between classes, but I definitely learned a lot of important time-management lessons.