But here’s the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
BETH HENLEYPlays are so much more special if they’ve never ever had a production, but I think you can really work on a play and make it better with each production.
More Beth Henley Quotes
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That was always my inclination, to start on a new play before the other one gets done, because at least you’ll have something to go back to if that play gets trashed.
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In movement class, you had to lie on the floor and get your alignment in to pass the class.
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Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
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But when I got to SMU and decided to take a playwriting class, I said this isn’t a bad idea. IfI write characters, they could be as dumb as me, and I don’t have to be very smart.
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Plays are so much more special if they’ve never ever had a production, but I think you can really work on a play and make it better with each production.
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It’s called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn’t realize what a rage I was in.
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That’s what I like about [smoking] . . . taking a drag off of death, Mmm! Gives me a sense of controlling my own destiny. What power! What exhilaration! Want a drag?
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What I loved about the acting class was that you got to think all day long about a person that wasn’t you, and figure out why they were sad and what they wanted, what they dreamed.
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The impetus behind going to graduate school was a year after graduating from college spent in Dallas working at the dog food factory and Bank America and not having met success in my chosen field, which at that point was being an actress.
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My first few plays took place in the South and even The Lucky Spot was in the thirties but in Louisiana.
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And all writing is creating or spinning dreams for other people so they won’t have to bother doing it themselves.
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I grew up in Jackson, Mississippi, really in suburbia, so my mother was in community theatre plays.
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The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.
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I’m very into the first production of the show.
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I was just restless with being in school; so I went out to Los Angeles.
BETH HENLEY