Self-conscious artiness is fatal, but it certainly would not hurt to study composition in general. Having a basic understanding of composition would help construct a better organized image.
BERENICE ABBOTTThe photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.
More Berenice Abbott Quotes
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Furthermore, a good photographer does not merely document, he probes the subject, he ‘uncovers’ it.
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The idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it.
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The more you do, the more you realize there is to do, what a vast object the metropolis is, and how the work of photographing could go on forever.
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I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph.
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I’m not a nice girl. I’m a photographer.
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Photography is not only drawing with light, though light is the indispensable agent of its being. It is modeling or sculpturing with light, to reproduce the plastic form of natural objects. It is painting with light.
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To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world.
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Photography can only represent the present. Once photographed, the subject becomes part of the past.
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Suppose we took a thousand negatives… combining the elegances, the squalor, the curiosities, the monuments, the sad faces, the triumphant faces, the power, the irony, the strength, the decay, the past, the present, the future of a city – that would be my favorite picture.
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I haven’t seen too many images that have impressed me!
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Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times – the pulse of today.
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There are many teachers who could ruin you. Before you know it you could be a pale copy of this teacher or that teacher. You have to evolve on your own.
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The camera is no more an instrument of preservation, the image is.
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What we need of equipment is this: let it possess as good a structure as the real-life content that surrounds us. We need more simplifications to free us for seeing.
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The photographer is the contemporary being par excellence; through his eyes the now becomes the past.
BERENICE ABBOTT