“It depends, because sometimes an action role can be very demanding, and sometimes a dialogue-driven character can be very demanding, and vice versa. It depends.”

There’s a lot of Latinos right now, a lot of filmmakers and writers that are Latin too.

When some people get parts, they feel they can now relax, but for me it was always the opposite. Sometimes before I do a movie or before I act out a scene, I may not sleep well the night before. If I don’t know what the scene is about, I might get all worked up.

I’m a fan myself, so when a fan does something that might be strange, I understand it.

The very first things that I did, even in theater, were bad guys. They are meaty roles for the most part. With the bad guy you have more freedom to experiment and go further out than with a good guy.

You have to kill to survive. People have been doing it forever. I eat meat, and I eat fish. If I were on a deserted island I would need that to survive.

I get more choices of things, projects, which is a blessing and a curse. I can only do one at a time. Sometimes you don’t know which way to go.

I’ve liked most of the films that I’ve been in and those are the kinds of films I like to see.

I trained as a theatre actor and you had a bare stage and you had to pretend, one prop and you are in the middle of 8th Ave. and traffic is just going by.

You deal with failure – strike, strike, strike – all the time. Acting is like that. You have to have a very thick skin in a way – your hair is too dark, you’re too ugly for the part, your audition wasn’t good.

I don’t think I could be a foot soldier. I don’t know if I could take orders too good. I’m a little lazy.

I think that the Oscar gives you some kind of guts or something, it gives you the illusion that you can do it. It’s good for business.

I’ve done a lot of movies, and you really never know. You do a movie and you think that it’s great, and then you see it and it doesn’t work.

I think having a vision can make someone an influential man. I’m not talking about acting or anything like that, I’m talking about people I admire, whether it’s a writer or a musician or a sports figure or a politician, whatever.

Am I getting better at making choices? Well, I think I might be getting better at reading scripts.

I used to play basketball and I was pretty competitive, but I was never a bad loser. I never got angry. For me it was always about doing my best and devoting myself to a challenge.

Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It’s part of acting.

I knew her work very well and I knew that if she offered me a role in her movie, it wouldn’t be something stupid. So I agreed to do the film before I read the script.

I’m not playing a role. I’m being myself, whatever the hell that is.

Satire has its limits. It is really up to the people to make the change. The satirist’s role ends at the screen.

When you use an armament, you use it to defend the civilians. You kill terrorists in order to defend civilians. That’s the natural role of any army in the world.

I guess I feel like it’s a gift to meet those talented artists like George Lucas and Oliver Stone, Spike Lee and Richard Kelly. Even if it’s a small role, it’s a gift to be working that closely with them.

When I work with filmmakers today, I’m really an advocate for the women’s roles that I see, to make them as layered and as deep as possible. I think many of them are underwritten.

Some people make stuff; other people have to buy it. And when we gave up making stuff, starting in the 1980s, we were left with the unique role of buying… We’ve shopped till we dropped alright, face down on the floor.

Before then, Britain was pessimistic and the role of government was largely managing Britain in decline.