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It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of the child who looks at the world for the first time or of the traveler who enters a strange country.

Bill Brandt

The vital elements are often momentary, change-sent things … a gleam of light on water, a trail of smoke from a passing train, a cat crossing the threshold.
BILL BRANDT

Cat Light Passing Stress
A photographer must be prepared to catch and hold on to those elements which give distinction to the subject or lend it atmosphere.
BILL BRANDT

Atmosphere Giving Photography
Indeed, I feel the simplest approach can often be most effective. A subject placed squarely in the center of the frame, if attention is not distracted from it by fussy surroundings, has a simple dignity which makes it all the more impressive.
BILL BRANDT

Approach Dignity Indeed Place Simplest Surroundings
I am not interested in rules or conventions. Photography is not a sport.
BILL BRANDT

Conventions Photography Sports
Very rarely are we able to free our minds of thoughts and emotions and just see for the simple pleasure of seeing. And so long as we fail to do this, so long will the essence of things be hidden from us.
BILL BRANDT

Emotions Essence Hidden Minds Most Pleasure Simple
Photography is not a sport. It has no rules. Everything must be dared and tried!
BILL BRANDT

Everything Photography Sports Tried
And only the photographer himself knows the effect he wants. He should know by instinct, grounded in experience, what subjects are enhanced by hard or soft, light or dark treatment.
BILL BRANDT

Dark Light Photography
But I did not always know just what it was I wanted to photograph. I believe it is important for a photographer to discover this, for unless he finds what it is that excites him, what it is that calls forth at once an emotional response, he is unlikely to achieve his best work.
BILL BRANDT

Believe Emotional Photography
No amount of toying with shades of print or with printing papers will transform a commonplace photograph into anything other than a commonplace photograph.
BILL BRANDT

Paper Photography Shade
It is the gift of seeing the life around them clearly and vividly, as something that is exciting in its own right. It is an innate gift, varying in intensity with the individual’s temperament and environment.
BILL BRANDT

Environment Individual Photographer
By professional standards I do not waste a lot of film; but by the standards of many of my colleagues I probably miss quite a few of my opportunities. Still, the things I am after are not in a hurry as a rule.
BILL BRANDT

Hurry Opportunities Photography Profession
The photographer must possess and preserve the receptive faculties of a child who looks at the world for the first time.
BILL BRANDT

Children Looks World
If there is any method in the way I take pictures, I believe it lies in this: See the subject first. Do not try to force it to be a picture of this, that or the other thing. Stand apart from it. Then something will happen. The subject will reveal itself.
BILL BRANDT

Believe Lying Photography
Photographers should follow their own judgment, and not the fads and dictates of others. Photography is still a very new medium and everything is allowed and everything should be tried and dared…
BILL BRANDT

Photography Sports
I am not very interested in extraordinary angles. They can be effective on certain occasions, but I do not feel the necessity for them in my own work.
BILL BRANDT

Occasions Often Photography Simple Work
Andre Breton once said that a portrait should not only be an image but an oracle one questions, and that the photographer’s aim should be a profound likeness, which physically and morally predicts the subject’s entire future.
BILL BRANDT

Oracles Portraits Profound

It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of the child who looks at the world for the first time or of the traveler who enters a strange country.

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It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of the child who looks at the world for the first time or of the traveler who enters a strange country.

Related Topics

Popular Authors

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