The shape is the most important to me because it is what really matters and what’s really missing in the market. Anything else is easier.
BETH DITTOI’m passionate about color. My best friend and I sit and look at Pantone books for fun.
More Beth Ditto Quotes
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Because I didn’t have any queer, lesbian, female role models I hated my own femininity and had to look deep within myself to create an identity that worked for me. Pop culture just doesn’t hand us enough variety to choose from.
BETH DITTO -
As with most phobias, the fear of flying does make some sense, but if ever there was a fear worth quashing then this is it. After all, life is short, and there’s a great big world to explore out there.
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I love Adele so much and it’s honestly not because we’re both big.
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Aretha Franklin was a teenage mom, a musician who came from an incredible Christian background, and where there was a lot of love, which is really inspiring in a feminist way.
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Even talking, I’m super-loud. I could never have that kind of meek, little wispy whimsical lavender and lace voice. It comes from my body. There’s no way I can fight it.
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I was born fat and have always been, which was just fine and even healthy and cute until I turned ten or so. Puberty hit like a hurricane and brought a new set of rules. All of a sudden it was my fault I was chubby.
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I have been 130 lbs. as well as 215 lbs. I have had blond, strawberry blond, green, pink and purple hair, and none of that has ever exempted me from having lewd comments flung at me in the street.
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Portland is a place where you can find a community as a feminist, a vegan or a fat activist. Artists, musicians, knitters, and filmmakers can all meet like-minded souls. It’s proved the perfect place for me and all my punk friends.
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Just like my straight friends, I am repeatedly asked when I plan to have kids, and have been told many times, by various branches of my bloodline, that “even lesbians can have babies these days.”
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I think it’s really cool that there are people like Adele on the cover of ‘Vogue’ and ‘Rolling Stone,’ and like I think it’s really important that people are talking about your body, because if they don’t, then you’ll never be able to break that barrier.
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Someone told me once that Lucinda Williams takes six years between albums, and that’s what stuck to me; it’s like, you really are a factory. You don’t do things to make them, on your own time.
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This is how I feel about everything that’s out of your control: once you make a record, it’s not yours anymore. There’s nothing you can do. It’s the way I feel about political movements – both of those things grow on their own.
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I worshipped Ethel Merman and I worshipped Ethel Merman a lot. It’s incredible – Ethel Merman was a conventional singer. Her naming her child Ethel Merman, Jr., was, to me, one of the coolest feminist things.
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I’m like cheddar: Yes, other cheeses are more ooh la la, but I’m strong, mature, and oh so delicious.
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When I think about the idea of Rebel Wilson having to go to the Oscars and not having something amazing to wear that’s made for her, it drives me mad.
BETH DITTO