“I know animals more gallant than the African warthog, but none more courageous. He is the peasant of the plains – the drab and dowdy digger in the earth.”

Never turn back and never believe that an hour you remember is a better hour because it is dead. Passed years seem safe ones, vanquished ones, while the future lives in a cloud, formidable from a distance.

It is just one of those preposterous things that men do like putting a dam across a great river, one tenth of whose volume could engulf the whole of mankind without disturbing the domestic life of a single catfish.

I learned what every dreaming child needs to know, that no horizon is so far you cannot get above it or beyond it.

When you have flown halfway across a desert, you experience the desperation of a sleepless man waiting for dawn which only comes when the importance of its coming is lost.

It is not fickle, but because it has mothered not only men, but races, and cradles not only cities, but civilizations – and seen them die, and seen new ones born again – Africa can be dispassionate, indifferent, warm, or cynical, replete with the weariness of too much wisdom.

A man can be riddled with malaria for years on end, with its chills and its fevers and its nightmares, but if one day he sees that the water from his kidneys is black, he knows he will not leave that place again, wherever he is, or wherever he hoped to be.

In view of this and other things, I demand forgiveness for being so obviously impressed with my own parents.

There are all kinds of silences and each of them means a different thing. There is the silence that comes with morning in a forest, and this is different from the silence of a sleeping city.

It is absurd for a man to kill an elephant. It is not brutal, it is not heroic, and certainly it is not easy.

Success feeds confidence.

What a child does not know and does not want to know of race and colour and class, he learns soon enough as he grows to see each man flipped inexorably into some predestined groove like a penny or a sovereign in a banker’s rack. Kibii, the Nandi boy, was my good friend.

You can live a lifetime and at the end of it, know more about other people than you know about yourself.

In Africa people learn to serve each other. They live on credit balances of little favors that they give and may, one day, ask to have returned.

I look at my yesterdays for months past, and find them as good a lot of yesterdays as anybody might want. I sit there in the firelight and see them all.

A word grows to a thought – a thought to an idea – an idea to an act. The change is slow, and the Present is a sluggish traveler loafing in the path Tomorrow wants to take.

I have a trunk containing continents.

Nothing appears to be something. The human experience is a senseory organ for the divine self. Through these eyes, the divine gets to see itself in form.

My professional persona never loosens its grip, keeping an eye on me at all times.

A kitten is the most irresistible comedian in the world. Its wide-open eyes gleam with wonder and mirth. It darts madly at nothing at all, and then, as though suddenly checked in the pursuit, prances sideways on its hind legs with ridiculous agility and zeal.

There is still vitality under the winter snow, even though to the casual eye it seems to be dead.

When I think of art I think of beauty. Beauty is the mystery of life. It is not in the eye it is in the mind. In our minds there is awareness of perfection.

Place (or put) a spider on top of a mountain, it will only try to catch flies; alas, they are many those who, in the figurative meaning, have spider’s eyes.

Re-vision – the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for woman more than a chapter in cultural history: it is an act of survival.

Re-vision — the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for women more than a chapter in cultural history: it is an act of survival.