“Wilderness is two things-fact and feeling. It is a fund of knowledge and a spring of influence. It is the ultimate source of health-terrestrial and human.”

For we need this thing wilderness far more than it needs us. Civilizations (like glaciers) come and go, but the mountain and its forest continue the course of creation’s destiny. And in this we mere humans can take part-by fitting our civilization to the mountain.

There are three things: to walk, to see, and to see what you see.

However useful may be the National Parks and Forests of the West for those affording the Pullman fare to reach them, what is needed by the bulk of the American population is something nearer home.

One function, at least, of true wilderness is to provide a refuge from the crassitudes of civilization-whether visible, intangible, audible-whether of billboard, of pavement, of auto horn-all of these are urban essences; all are negations of wilderness.

A period recourse into the wilds is not a retreat into secret silent sanctums to escape a wicked world, it is to take breath amid effort to forge a better world.

If the purpose be Cannibalism (preference for Ham a la Capitalism) then nobody but a Cannibal should be admitted. There should be plenty of discussion and disagreement as to how and the means but none whatever as to ends.

An obvious fact about negative feelings is often overlooked. They are caused by us, not by exterior happenings. An outside event presents the challenge, but we react to it. So we must attend to the way we take things, not to the things themselves.

I have a feeling that we have been placed on this earth for a special reason and although I have not fulfilled all my missions, I am trying.

Both thought and feeling are determinants of conduct, and the same conduct may be determined either by feeling or by thought.

Slow motion is so visually cinematic; when you create that, you create it for your audience, you let them have the feeling of what it must be like to be there. And in a movie, you can’t forget the audience.

The writer has a feeling and utters it from his true self. The reader reads it and is immediately infected and has exactly the same feeling. This is the whole secret of enchantment and fascination.

Every time I sit in the audience and watch a show that I have been involved with, it is such an amazing feeling to see all those people around me, knowing they are actually watching and enjoying something I have written.

At the time of ‘Words, Words, Words,’ I’m a 19-year-old getting up feeling like he’s entitled to do comedy and tell you what he thinks of the world, so that’s inherently a little bit ridiculous.

Vision connects you. But it also separates you. In my work, and my life, I feel a desire to merge. Not in terms of losing my own identity… but theres a feeling that life is interconnected, that theres life in stones and rocks and trees and dirt, like there is in us.