The moving toward one’s inner self is a long pilgrimage for a painter. It offers many temporary successes and high points, but impels him on toward the more adequate image.
BEN SHAHNI believe that if it were left to artists to choose their own labels, most would choose none.
More Ben Shahn Quotes
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Art almost always has its ingredient of impudence, its flouting of established authority, so that it may substitute its own authority and its own enlightenment.
BEN SHAHN -
We tried to present the ordinary in an extraordinary manner. But that’s the paradox because the only thing extraordinary about it was that it was so ordinary.
BEN SHAHN -
I love chaos…. It’s the poetic element in a dull and ordered world.
BEN SHAHN -
Every great historic change has been based on nonconformity, has been bought either with the blood or with the reputation of nonconformists.
BEN SHAHN -
I believe that if it were left to artists to choose their own labels, most would choose none.
BEN SHAHN -
Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish.
BEN SHAHN -
Now, my knowledge of photography was terribly limited.
BEN SHAHN -
How do you paint yellow wheat against a yellow sky? You paint it jet black.
BEN SHAHN -
An ametuer is an artist who supports himself with outside jobs which enable him to paint. A professional is someone whose wife works to enable him to paint.
BEN SHAHN -
What is it about conformity itself that causes us all to require it of our neighbors and of our artists and then, with consummate fickleness, to forget those who fall into line and eternally celebrate those who do not?
BEN SHAHN -
Form is the shape of content.
BEN SHAHN -
If you’re going to be an artist, all life is your subject. And all your experience is part of your art.
BEN SHAHN -
The time when I had desire to go to the United States I didn’t have a penny. It was in the middle of the depression, you know. I couldn’t get as far as Hoboken at that time.
BEN SHAHN -
I confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
BEN SHAHN -
I feel, having the choices I had, I felt I had more control over my own medium than I did over photography.
BEN SHAHN