As much as I love being an artist, I love being a mom even more.
BETH GRANTI’d much rather insult people and make ’em angry. Donnie Darko’s very controversial. Not all of my friends like it. Honestly, it’s almost become a test for me. If somebody says they don’t like Donnie Darko, I think, “Oh, I don’t know you as well as I thought I did.”
More Beth Grant Quotes
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I’ve died so many times in so many movies. What is it about my face that people want to kill it? I’m sure they would’ve killed Kitty Farmer if they could’ve!
BETH GRANT -
I thought Sissy Hickey should be really skinny and leathery and have one of those really husky voices, but Del Shores kept saying, “I wrote this part for you.” He took me to his house and showed me pictures of all his Texas relatives, and they looked exactly like my family.
BETH GRANT -
There are several things iconic about Sissy Hickey character – even just sounds. Like, “Awww.” People love that sound! “Awww.” I actually didn’t want to do the role, because I didn’t think I looked like a smoker – even though I used to be a smoker.
BETH GRANT -
Reality television, anybody can be a star at any minute.
BETH GRANT -
I love smoking. I miss it every day of my life. If I found out that it didn’t cause cancer, I would go out and buy, like, eight cartons right now.
BETH GRANT -
Jessica Tandy. Nice company! And Ruth Gordon. They worked all along. She didn’t really get any big star recognition until Driving Miss Daisy. So what if it takes me that long? Slow and steady wins the race, right? Better a tortoise than a hare.
BETH GRANT -
The Coens both give you direction, and then it’s up to you to kind of figure out the music of what they’re saying.
BETH GRANT -
I knew Steve Carell because of Little Miss Sunshine, so I felt very comfortable with him. Maybe he always does it to guest stars, but I felt as though he was being particularly funny with me, and particularly stretching the boundaries of improvisation.
BETH GRANT -
Maybe the actors that used to turn down William Goldman’s scripts – where he wanted them to stretch and grow, and he was mad at ’em, and said, “Why won’t they be a real actor?” – maybe they just knew their audience. It’s too bad.
BETH GRANT -
My agent says, “You have an audition for the next Dustin Hoffman movie, playing a pioneer woman.” And I go, “All right!” I passed Barry Levinson in the hall on the way into my audition, and I saw him do a double-take. I think I looked so determined that I got the job right then.
BETH GRANT -
Sometimes I’ll say, “When Sandy Bullock and I were doing Speed – the movie, not the drug.” Just in case someone’s listening.
BETH GRANT -
I built a career on my archetype, and I’m grateful, but I’m trying to stretch.
BETH GRANT -
I never have compared myself to Jessica Tandy in any way, and that’s such a great role model for me to look at. I’m seriously going to put pictures of her in my dressing room and commune with her from now on, I think.
BETH GRANT -
Tone is a very difficult thing. You can’t write tone, I don’t think. You can try – you certainly try. I write too, so I know I’m trying desperately to communicate to whoever’s going to direct my pieces, the way I see the humor. But it’s very difficult.
BETH GRANT -
If you just think Donnie Darkos a weird movie, you don’t want to think. You don’t want to feel your feelings. So yeah, I do want to shake ’em up.
BETH GRANT