The very first things that I did, even in theater, were bad guys. They are meaty roles for the most part. With the bad guy you have more freedom to experiment and go further out than with a good guy.
My goal as an actor has always been to reach a level where I can find a lot of interesting work, and I think I’m at that point now. The Oscar has given me a lot of recognition.
The very first things that I did, even in theater, were bad guys. They are meaty roles for the most part. With the bad guy you have more freedom to experiment and go further out than with a good guy.
It really is a pleasure to work with someone who you admire. Whatever you do in front of the camera, and I don’t know what it is, but actors have this thing that you recognize someone that makes you better. When you do that, it’s a great feeling.
I’ve had people ask me: ‘How can you make a movie about a murderer? A terrorist?’ What they don’t understand is that I’m in support of everyone who appears on screen. I have to be. I take the position of everyone who’s on screen. I’m not judging them one way or another.
I trained as a theatre actor and you had a bare stage and you had to pretend, one prop and you are in the middle of 8th Ave. and traffic is just going by.
I’ve played drug dealers, all my life. I’ve made a career of killing people and playing all kinds of killers. The violence and drugs is portrayed in exaggeration. This is fiction. That is how I looked at it. And, sometimes truth is stranger than fiction. Just open a newspaper.
You deal with failure – strike, strike, strike – all the time. Acting is like that. You have to have a very thick skin in a way – your hair is too dark, you’re too ugly for the part, your audition wasn’t good.
There’s something about the Oscar that gives you sort of stripes where you feel you can dare to walk into a studio like Universal and say, “Hey guys, how about an idea of me playing the wolf man?”
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