The difference between the extras here and in France is the French extras read books. Actually, they hide the book and pretend that they’re acting. Here (in Hollywood), you can see everybody wants his break.
I tried to find a character and how I would be an American actress in the 30s. But if this was a talking movie [The Artist], I’m sure she would be exactly the same for me.
Right now I’m the most famous silent movie actress in the world and I want to keep that for me. So I hope there’s not going to be any other silent movies.
The difference between the extras here and in France is the French extras read books. Actually, they hide the book and pretend that they’re acting. Here (in Hollywood), you can see everybody wants his break.
For us, as actors, and even for the director, it gave us a sense of authenticity to what we were doing because we were talking about Hollywood and we were in Hollywood.
Even in the very beginning when she would bump into George Valentine and people would start taking pictures of her, she never thought “I’m with George Valentine. I need to get a picture with him.” She’s like “oh that’s funny. Everyone’s taking pictures!”
My parents were not pushy or anything like that. I think my mom was still expecting me to be an astronaut, but now she is very happy that I’m not doing that.
A character is never entirely white or black, there’s never entirely right or wrong. You have to realize sometimes you face something, and then you change your mind, or then you realize you were wrong.
Maybe I’ll put my iPod in two minutes before. But truly, I’ve listened to actors say that they loved to listen to music before a shot, and I really understand that now because it puts you in the mood and gives you energy.
Marlene Dietrich for the way there was something so unique about her – the way she entered into a frame and everybody looks at her and the way she winks and looks up.
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