I’m very into the first production of the show.
BETH HENLEYBut when I got to SMU and decided to take a playwriting class, I said this isn’t a bad idea. IfI write characters, they could be as dumb as me, and I don’t have to be very smart.
More Beth Henley Quotes
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It was kind of enlightening to become a playwright.
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Part of that is that New York has proved to be too much fun for me to live and work; I love New York so much.
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I love to work, although sometimes I can spend whole days doing nothing more than picking the lint off the carpet and talking to my mother on the phone.
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I grew up in Jackson, Mississippi, really in suburbia, so my mother was in community theatre plays.
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The next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi.
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What I loved about the acting class was that you got to think all day long about a person that wasn’t you, and figure out why they were sad and what they wanted, what they dreamed.
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There are probably brilliant people, geniuses, alive today who don’t even know how to say, “Hello, how do you do?” because their minds are absorbed with electronic images.
BETH HENLEY -
But when I got to SMU and decided to take a playwriting class, I said this isn’t a bad idea. IfI write characters, they could be as dumb as me, and I don’t have to be very smart.
BETH HENLEY -
I tried to start a theatre in LA and failed miserably, but I was probably not meant to raise money.
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That’s what I like about [smoking] . . . taking a drag off of death, Mmm! Gives me a sense of controlling my own destiny. What power! What exhilaration! Want a drag?
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I just loved being divorced from my own wretchedness.
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That was always my inclination, to start on a new play before the other one gets done, because at least you’ll have something to go back to if that play gets trashed.
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I did write a couple of original screenplays, but I’d rather write plays.
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I was just restless with being in school; so I went out to Los Angeles.
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The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.
BETH HENLEY