One forgets too easily the difference between a man and his image, and that there is none between the sound of his voice on the screen and in real life.
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I was called up in the war and sent to a hospital. I dressed wounds, applied iodine, gave enemas, did blood transfusions. If the doctor ordered: “Brecht, amputate a leg!”, I would reply, “Certainly, Your Excellency!”, and cut off the leg. If I was told, “Perform a trepanning!”
Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.
