You scientists are the worst photographers in the world and you need the best photographers in the world and I’m the one to do it.
BERENICE ABBOTTI’m not a nice girl; I’m a photographer. (On being told by a Federal Art Project official, after she photographed the Bowery, that a nice girl should not go into such neighborhoods )
More Berenice Abbott Quotes
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The photographer creates, evolves a better, a more selective, more acute seeing eye by looking ever more sharply at what is going on in the world.
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The idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it.
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Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
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I think the important decision for a photographer is to choose a subject that intensely interests him or her.
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I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph.
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To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world.
BERENICE ABBOTT -
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it.
BERENICE ABBOTT -
What the human eye observes casually and incuriously, the eye of the camera (the lens) notes with relentless fidelity.
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Does not the very word ‘creative’ mean to build, to initiate, to give out, to act – rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life – not death.
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Imagine a world without photography, one could only imagine.
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Suppose we took a thousand negatives… combining the elegances, the squalor, the curiosities, the monuments, the sad faces, the triumphant faces, the power, the irony, the strength, the decay, the past, the present, the future of a city – that would be my favorite picture.
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Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself.
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Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality.
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Actually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.
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Some people are still unaware that reality contains unparalleled beauties. The fantastic and unexpected, the ever-changing and renewing is nowhere so exemplified as in real life itself.
BERENICE ABBOTT