My first few plays took place in the South and even The Lucky Spot was in the thirties but in Louisiana.
BETH HENLEYPart of that is that New York has proved to be too much fun for me to live and work; I love New York so much.
More Beth Henley Quotes
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I did write a couple of original screenplays, but I’d rather write plays.
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I grew up in Jackson, Mississippi, really in suburbia, so my mother was in community theatre plays.
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I just loved being divorced from my own wretchedness.
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The next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi.
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Part of that is that New York has proved to be too much fun for me to live and work; I love New York so much.
BETH HENLEY -
That’s what I like about [smoking] . . . taking a drag off of death, Mmm! Gives me a sense of controlling my own destiny. What power! What exhilaration! Want a drag?
BETH HENLEY -
What I loved about the acting class was that you got to think all day long about a person that wasn’t you, and figure out why they were sad and what they wanted, what they dreamed.
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There are probably brilliant people, geniuses, alive today who don’t even know how to say, “Hello, how do you do?” because their minds are absorbed with electronic images.
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I was just restless with being in school; so I went out to Los Angeles.
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It’s called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn’t realize what a rage I was in.
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The impetus behind going to graduate school was a year after graduating from college spent in Dallas working at the dog food factory and Bank America and not having met success in my chosen field, which at that point was being an actress.
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In movement class, you had to lie on the floor and get your alignment in to pass the class.
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But here’s the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
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Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
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I tried to start a theatre in LA and failed miserably, but I was probably not meant to raise money.
BETH HENLEY