The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.
BETH HENLEYThat was always my inclination, to start on a new play before the other one gets done, because at least you’ll have something to go back to if that play gets trashed.
More Beth Henley Quotes
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It’s called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn’t realize what a rage I was in.
BETH HENLEY -
The impetus behind going to graduate school was a year after graduating from college spent in Dallas working at the dog food factory and Bank America and not having met success in my chosen field, which at that point was being an actress.
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Part of that is that New York has proved to be too much fun for me to live and work; I love New York so much.
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I love writing for the screen.
BETH HENLEY -
That’s what I like about [smoking] . . . taking a drag off of death, Mmm! Gives me a sense of controlling my own destiny. What power! What exhilaration! Want a drag?
BETH HENLEY -
I love to work, although sometimes I can spend whole days doing nothing more than picking the lint off the carpet and talking to my mother on the phone.
BETH HENLEY -
In movement class, you had to lie on the floor and get your alignment in to pass the class.
BETH HENLEY -
That was always my inclination, to start on a new play before the other one gets done, because at least you’ll have something to go back to if that play gets trashed.
BETH HENLEY -
The next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi.
BETH HENLEY -
My first few plays took place in the South and even The Lucky Spot was in the thirties but in Louisiana.
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And all writing is creating or spinning dreams for other people so they won’t have to bother doing it themselves.
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I just loved being divorced from my own wretchedness.
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Plays are so much more special if they’ve never ever had a production, but I think you can really work on a play and make it better with each production.
BETH HENLEY -
I tried to start a theatre in LA and failed miserably, but I was probably not meant to raise money.
BETH HENLEY -
But when I got to SMU and decided to take a playwriting class, I said this isn’t a bad idea. IfI write characters, they could be as dumb as me, and I don’t have to be very smart.
BETH HENLEY