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1. black
2. grey
3. blue
4. red
5. brown
6. white

The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.

Beth Henley

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  Part of that is that New York has proved to be too much fun for me to live and work; I love New York so much.

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• 

  It’s called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn’t realize what a rage I was in.

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• 

  But here’s the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.

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• 

  Plays are so much more special if they’ve never ever had a production, but I think you can really work on a play and make it better with each production.

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• 

  I just loved being divorced from my own wretchedness.

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• 

  The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.

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• 

  In movement class, you had to lie on the floor and get your alignment in to pass the class.

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• 

  What I loved about the acting class was that you got to think all day long about a person that wasn’t you, and figure out why they were sad and what they wanted, what they dreamed.

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  I was just restless with being in school; so I went out to Los Angeles.

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• 

  The impetus behind going to graduate school was a year after graduating from college spent in Dallas working at the dog food factory and Bank America and not having met success in my chosen field, which at that point was being an actress.

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• 

  The next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi.

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• 

  I love writing for the screen.

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• 

  And all writing is creating or spinning dreams for other people so they won’t have to bother doing it themselves.

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• 

  That’s what I like about [smoking] . . . taking a drag off of death, Mmm! Gives me a sense of controlling my own destiny. What power! What exhilaration! Want a drag?

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• 

  Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.

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• 

  I grew up in Jackson, Mississippi, really in suburbia, so my mother was in community theatre plays.

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