“You deal with failure – strike, strike, strike – all the time. Acting is like that. You have to have a very thick skin in a way – your hair is too dark, you’re too ugly for the part, your audition wasn’t good.”

The very first things that I did, even in theater, were bad guys. They are meaty roles for the most part. With the bad guy you have more freedom to experiment and go further out than with a good guy.

You have to kill to survive. People have been doing it forever. I eat meat, and I eat fish. If I were on a deserted island I would need that to survive.

I get more choices of things, projects, which is a blessing and a curse. I can only do one at a time. Sometimes you don’t know which way to go.

I’ve liked most of the films that I’ve been in and those are the kinds of films I like to see.

I trained as a theatre actor and you had a bare stage and you had to pretend, one prop and you are in the middle of 8th Ave. and traffic is just going by.

I don’t think I could be a foot soldier. I don’t know if I could take orders too good. I’m a little lazy.

I think that the Oscar gives you some kind of guts or something, it gives you the illusion that you can do it. It’s good for business.

I’ve done a lot of movies, and you really never know. You do a movie and you think that it’s great, and then you see it and it doesn’t work.

I think having a vision can make someone an influential man. I’m not talking about acting or anything like that, I’m talking about people I admire, whether it’s a writer or a musician or a sports figure or a politician, whatever.

Am I getting better at making choices? Well, I think I might be getting better at reading scripts.

I used to play basketball and I was pretty competitive, but I was never a bad loser. I never got angry. For me it was always about doing my best and devoting myself to a challenge.

Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It’s part of acting.

License to Kill’ is not one of the great Bond movies.

Before I was ever in high school, I had dark circles under my eyes.

I won and I get to scream and jump a little. But I got to go back to work tomorrow.

To me the thing with ‘Grease’ was that it was the first movie that as a kid I wanted to get up and do what they were doing.

We work in the dark — we do what we can — we give what we have.

The Earth is beautiful, and bright, and kindly, but that is not all. The Earth is also terrible, and dark, and cruel. The rabbit shrieks dying in the green meadows.

Life goes on, even if two-headed and glowing faintly in the dark.

Our roots are in the dark; the earth is our country.

Roll on, deep and dark blue ocean, roll. Ten thousand fleets sweep over thee in vain. Man marks the earth with ruin, but his control stops with the shore.

A snowy, moonlit peak, with its single star, soaring up to the passionate blue; or against the flames of sunset, an old yew-tree standing dark guardian of some fiery secret.

Everyone has talent. What is rare is the courage to follow the talent to the dark place where it leads.

I don’t really need a personal trainer or watch what I eat. I can’t start the day without a hot chocolate or finish it without a few squares of dark chocolate. It’s good for my mood!