“Everyone needs help from everyone.”

The storm that bends the birch trees Is held to be violent But how about the storm That bends the backs of the roadworkers?

Grub first, then ethics.

We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.

Hungry man, reach for the book: it is a weapon.

Art is not a mirror held up to reality but a hammer with which to shape it.

Come in, dear wind, and be our guest You too have neither home nor rest.

Literary works cannot be taken over like factories, or literary forms of expression like industrial methods.

Who fights may lose, but who does not fight has lost already.

A man who strains himself on the stage is bound, if he is any good, to strain all the people sitting in the stalls.

On thinking about Hell, I gather My brother Shelley found it was a place Much like the city of London.

Then I will tell you something. I do not believe in it. Forty years among men has consistently taught me that they are not amenable to commonsense.

He who fights, can lose. He who doesn’t fight, has already lost.

People are too durable, that’s their main trouble. They can do too much to themselves, they last too long.

Fearful is the seductive power of goodness.

Some party hack decreed that the people had lost the government’s confidence and could only regain it with redoubled effort. If that is the case, would it not be simpler, If the government simply dissolved the people And elected another?

Mixing one’s wines may be a mistake, but old and new wisdom mix admirably.

I think people underestimate the value of collaboration, especially for writers.

I believe [the architecture firm] Herzog and de Meuron and our collaboration made the product the best it could be.

He is fearless and the way he comes to the music is like we share the same passion for what we do and with somebody from the West. In my opinion that would be a great collaboration.

The future of cinema and communications is all about collaboration and the decentralized control of storytelling.

Basically, I enter into it knowing we are collaborators.

The most abundant resources that we possess amongst the 1.5 million nonprofits in the United States are passion and knowledge, yet our most scarce resource is collaboration.

Filmmaking is such a collaborative piece of art that you can’t look to one person – you couldn’t look to me, you couldn’t say, ‘Because Vin’s in it, it’s this or that.’ It’s really all of us coming together for that period of time to try and make magic.

I always want another actor to shine in my scene because it makes the film stronger. I would encourage people to scene steal, because filmmaking is a collaborative effort.