““Into the Woods” was… a lot of running around in the woods! I can’t wait to see the show again. People didn’t realize it back then, but kids still come up to me-young people-and they talk about it. It really made its mark.”

The challenge of film is making it right there at that moment, and then you get to move on.

The first big lead that I had on Broadway was in a show called La Strada.

You’ve got to be original, because if you’re like someone else, what do they need you for?

The first Broadway show I ever heard was the recording of ‘Carousel’, and it was a very vivid experience.

I lost a very dear friend who lived with AIDS for about 17 years. Rejecting early treatments that were iffy, he thought he saved himself. I really miss him a lot.

I’ve been fortunate in my career to have performed in revivals of great musicals and to have originated roles in musicals that have in turn been revived. And I’m not dead!

George M. is where I met my dear friend Joel Grey. We connected at rehearsal one day during a five-minute break. We were both looking out the same window and we knew in five minutes that we’d made a connection.

Stephen Sondheim told me that Oscar Hammerstein believed everything that he wrote. So there’s great truth in the songs, and that’s what was so wonderful to find.

I know Mama Rose is a great role and I love having a chance to do it.

You’d look out and there’d be little babies watching the show, and boys and girls. They loved the cowboys, and they loved Annie. There were young people seeing the show for the first time. I stayed for two years because I enjoyed it so much.

I love Some Enchanted Evening, and If I Loved You. And as I sing them more and more, I find new favorites.

It was one of the most exciting, perfect evenings of my life, my solo debut at Carnegie Hall. And knowing we were all there to raise money for Gay Men’s Health Crisis made the evening an extraordinary experience.

In my career, there have been three things that were challenging: playing gay; playing a Jewish woman; and playing Anton Chekhov. The scariest part was playing Chekhov!

I’d like to one day play Amanda, the mother, in The Glass Menagerie.

Working on behalf of companion animals is so important. We start to realize how healing they are.

Singing lessons are like body building for your larynx.

Put in hours and hours of planning, figure everything down to the last detail, then what? Burglar alarms start going off all overthe place for no sensible reason.

I can go into a playground of kids that don’t know anything about Christianity, lead them to the Lord in a matter of, just no time at all, and just moments later they can be seeing visions and hearing the voice of God, because they’re so open. They are so usable in Christianity.

As a small kid, I came across things like these early Edward Gorey books in department-store bookstores. These were these really unusual objects to me. I didn’t know how they fit into the comic world or into newspaper comics.

I’ve always loved adventure stories that involve brilliant kids using their brains to beat systems that seem unbeatable.

I’d like to help other kids with dyslexia, because I’m dyslexic. It was very hard, and I know that what I went through, other kids are going through.

If we reduced the amount we spend on maintaining our nuclear weapons by a small fraction, we could reallocate those funds to improve kids’ health care and schooling.

I was always into performing and dancing as a kid and acting was a safe place to have all my feelings, which is good as a child.

Rock and roll is – and should be – a kid’s place.