If, in moving through your life, you find yourself lost, go back to the last place where you knew who you were, and what you were doing, and start from there.
BERNICE JOHNSON REAGONThe Smithsonian Festival of American Folklife, actually, was an effort to put something on the mall in Washington so American tourists could walk through America, and in their minds everything on the mall would be American
More Bernice Johnson Reagon Quotes
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The Civil Rights Movement also reaffirmed me as a singer. It taught me that singing was not entertainment, it was something else.
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Today whenever women gather together it is not necessarily nurturing. It is coalition building. And if you feel the strain, you may be doing some good work.
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If you’re in a coalition and you’re comfortable, you know it’s not a broad enough coalition.
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At the same time all this was happening, there was a folk song revival movement goingon, so the commercial music industry was actually changed by the Civil Rights Movement.
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I went to a church where you could not sing out loud in the service until you had been saved.
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I learned that if you bring black people together, you bring them together with a song. To this day, I don’t understand how people think they can bring anybody together without a song.
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I came out of the Civil Rights Movement, and I had a different kind of focus than most people who have just the academic background as their primary training experience
BERNICE JOHNSON REAGON -
I think the Civil Rights Movement changed that trajectory for me. The first thing I did was leave school. I was suspended for my participation in Movement demonstrations in my hometown, December, 1961
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If every moment is sacred and if you are amazed and in awe most of the time when you find yourself breathing and not crazy, then you are in a state of constant thankfulness, worship and humility.
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And I used to think that proof that I had religion was whether I knew how to sing all of the songs.
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What would you be like if you had white hair and had not given up your principles? It might be wise as you deal with coalition efforts to think about the possibilities of going for fifty years.
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In fact when Sweet Honey was ten years old it was too big for me to run, and I knew it, but I ran it for another thirteen years because I couldn’t convince other people to really do it. And this year, I’m not running it.
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Personally I discovered that you could go through the academy as a young scholar, come out, and almost immediately have an impact on the academic environment.
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The first job I had with the Smithsonian was as a field researcher among African American communities in Southwest Louisiana and Arkansas for the festival.
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It makes sense that whatever the topic is, it’s more compelling if you can provide the audience with a range of perspectives, and you can cross disciplines. And you don’t have to control what people take out of it.
BERNICE JOHNSON REAGON