Of course I realize that photography is not the technical facility as much as it is the eye, and this decision that one makes for the moment at which you are going to snap, you know.
BEN SHAHNI was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that.
More Ben Shahn Quotes
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The values that reside in art are anarchic, they are every man’s loves and hates and his momentary divine revelation.
BEN SHAHN -
It may be a point of great pride to have a Van Gogh on the living room wall, but the prospects of having Van Gogh himself in the living room would put a great many devoted art lovers to rout.
BEN SHAHN -
It is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
BEN SHAHN -
The time when I had desire to go to the United States I didn’t have a penny. It was in the middle of the depression, you know. I couldn’t get as far as Hoboken at that time.
BEN SHAHN -
Nobody had ever done it before, deliberately. Now it’s called documentary, which I suppose is all right … We just took pictures that cried out to be taken.
BEN SHAHN -
Each artist comes to the painting or sculpture because there he can be told that he, the individual, transcends all classes and flouts all predictions. In the work of art, he finds his uniqueness confirmed.
BEN SHAHN -
When you talk about war on poverty it doesn’t mean very much; but if you can show to some degree this sort of thing then you can show a great deal more of how people are living and a very great percentage of our people today.
BEN SHAHN -
Now, my knowledge of photography was terribly limited.
BEN SHAHN -
What is it about conformity itself that causes us all to require it of our neighbors and of our artists and then, with consummate fickleness, to forget those who fall into line and eternally celebrate those who do not?
BEN SHAHN -
A work of art rests its merits in traditional qualities. It may constitute a remarkable feat in craftsmanship; it may be a searching study of psychological states; it may be a nostalgic glance backward.
BEN SHAHN -
A youngster told me recently that he was going to give himself a year to see if he has talent. A year! It takes a lifetime to see if you have it. Painting is total engagement.
BEN SHAHN -
It may be any one of an infinite number of concepts, none of which may have any possible bearing upon its degree of newness.
BEN SHAHN -
I confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
BEN SHAHN -
Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish.
BEN SHAHN -
I was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that.
BEN SHAHN