When I started writing again, especially when I listened to French music and Bob Dylan and Leonard Cohen, I realized that these lots talked about themselves. The greatest artists, they didn’t sing; they only spoke.
I was independent. There was no one there to talk to; I didn’t even want to talk to anyone. I started to write about what I was experiencing, and I had no choice, so I was never scared.
I started understanding William Blake and George Orwell more and more. It’s amazing how we go to school when we’re so young, read all of these books, just trying to memorize them. When you start to live, you don’t have to memorize anything.
The real self is who you are when you’re at home, when you’re comfortable, and the false self is what you’re pretending – and the reason you pretend is because you want to create a character for the surroundings you’re within.
I felt like I was homeless anyway, so the change in environment wasn’t that much of a big deal. I felt pretty much the same. After six months of living on the streets [in Camden], I started singing, busking.
I have met a few people, who are so respected in the fashion industry and all around the world, and are still very humble. People who have it all but act like they only just started, it’s beautiful. This is what I want to be.
In fact, I might be confident for the human race because of what the human race has given me. When I was in the street and bars, people always came up to me and said, “Don’t stop, keep going.”
When I started singing about my life and what I was going through, I felt more confident. It was my own life, I was being myself, I was telling people what was happening.
When I started writing again, especially when I listened to French music and Bob Dylan and Leonard Cohen, I realized that these lots talked about themselves. The greatest artists, they didn’t sing; they only spoke.
I’m from a middle class family but my father squandered all the money, so I didn’t really run around with rich people. I was very judgmental towards a lot of them.
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