“Any irrational fears?no, i’m quite a rationalist. i’m not superstitious, i think life is too full of natural wonders and logical complexities to worry about illogical things.”

I was the boy that turned a girlfriend into the most celebrated lesbian on television. I got so much stick for that.

If you can’t jump on board when the ride’s going past that’s it, it usually goes by, so the hugest compliment they paid me was to come back to me. It motivated me to try to fulfill their faith.

People’s hands fascinate me. It’s tempting to look at a businessman’s left hand and see if there’s an indentation from a missing wedding ring. Or maybe there’s a tan line and the skin is pressed down where’s he’s worked a ring off his finger.

I can’t stop traffic on Fifth Avenue, not unless I walk in front of an oncoming cab.

I feel that TV and film feed off each other well. It’s more in the perception of the viewer than it is of the actor.

I’d love to do a noir. I think Steve McQueen is so cool. But a classic film is a classic film, and perhaps the fantasy of being those characters should be left alone. You’re treading on very thin ice.

I haven’t done period dramas back-to-back, or really anything back-to-back. You get asked to do what you’re most recently famed for, so I’m careful of not repeating myself.

If you have an over-preoccupation with perception and trying to please people’s expectations, then you can go mad.

Being a posh actor in England you cannot escape the class-typing from whatever side you look at it.

The further you get away from yourself, the more challenging it is. Not to be in your comfort zone is great fun.

My first, big, silly role at school was as Arthur Crocker-Harris in Rattigan’s ‘The Browning Version,’ where my job was to make school-masters’ wives weep with recognition.

I have pitfalls. I have emotional responses to things that are really not about me. They’re about other people.

There’s no shame in stealing – any actor who says he doesn’t is lying. You steal from everything.

Scott Derrickson breathes humour into a character with a very strong identity in the ’60s and ’70s, that psychedelia era of Eastern mysticism meeting the West.

I love doing impersonations of people.

Our daily lives are so mundane, we get taken over by what is immediately in front of us and we don’t see beyond that.

I chose the name Pi because it’s an irrational number (one with no discernable pattern). Yet scientists use this irrational number to come to a “rational” understanding of the universe. To me, religion is a bit like that, “irrational” yet with it we come together we come to a sound understanding of the universe.

Who is more irrational, the guy who believes in a God he can’t see, or a guy who’s offended by a God he doesn’t believe in?

To explain strange and irregular phenomena of nature, haphazard events and, above all, irrational human conduct. They exist to bear the burden of all things that cannot be comprehended except by supernatural intervention or design.

I see no reason to have my shirts ironed. It’s irrational.

Or perhaps it is not because the cosmos is irrational but because they are rational. Who can say which, in an acausal world?

But rational thoughts lead only to rational thoughts, whereas irrational thoughts lead to new experiences.

Scientists turn reckless and mutter like gamblers who cannot stop betting. Scientists are buffoons, not because they are rational but because the cosmos is irrational.

How do we know when irrational exuberance has unduly escalated asset values?