“Words can only hurt you if you try to read them. Don’t play their game!”

You’re freaked out that you’re going to be having a child, and once you’re looking after your daughter, it’s the most beautiful thing in the world.

You have to stay in character in between takes.

I was staying on [writer/director/actor] Eric Schaeffer’s couch in New York, and he said, “I’ve got this movie [If Lucy Fell]. Can you do five days on it?”

I’m very interested in the early American history, the time when the country came together.

Moisture is the essence of wetness, and wetness is the essence of beauty.

And I was like, “Yeah, anything. Twenty-four hours times five is 120 hours. Oh, great, I’ll fill 120 hours of my life with something.” So I did that and it was fun, and then I did Flirting with Disaster.

I don’t think know if anything’s going to translate anywhere. You’re making a movie, you hope it’s going to be funny, you can’t think about how it’s going to go over.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

Maybe forced retirement isn’t necessary after all.

I studied Tom Cruise running in all the Mission Impossibles. I think he’s one of the best screen runners.

The cliches are that it’s the most generic Starsky and Hutch plot you can find.

My own parents were touchy-feely.

People like to define you through what they’ve seen you do. There are aspects of my personality, I guess, that come through on-screen, but I don’t sit around thinking, ‘I’ve been a bumbling suitor all my life.’

As a kid I had dreams about being successful, thinking it would be cool. Then, when I was in my 20s, I really thought I had it much more figured out than I do now.

There’s always an element of fear that you need to work a lot until people get sick and tired of you or finally figure out that you’re a fraud after all!

I’m Jewish, but my mom’s Catholic, so the guilt area is covered. I have the highest expectations, along with the lowest. I tried to put as much of myself as possible in Reality Bites, but in terms of my humor, I’m still trying to figure out what my sensibility is. It’s a process, really.

Lack of patience is probably the most common reason for losing a game, or drawing games that should have been won.

It’s not life or death it’s a game and at the end of the game there is going to be a winner and a loser.

A draw may be the beautiful and logical result of fine attacks and parries; and the public ought to appreciate such games, in contrast, of course, to the fear-and-laziness draws.

This morning I was standing in the shower and thought how I was sick of losing and how it was about time I had a big game.

I am willing to remain and play the man’s game if there are not enough boats for more than the women and children.

Fedor has no weakness. I have seen so many fights, and even the best fighters in the world have a flaw in their game but I have yet to find one in Fedor Emelianenko.

Usually when we lose a game is because we turn the ball over or not play well enough and usually it is the turnover thing. We have to take care of the ball. It is starts with me and not turning it over.

It’s a great stretch for me to do my game show. It’s very hard. It’s not me at all. The only part that’s me is sort of when I’m sitting in the booth looking tormented. That’s the only part that’s the real me.