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1. black
2. grey
3. blue
4. red
5. brown
6. white

I’m not Jack Nicholson. I’m not Brando. But I do mumble.

Benicio Del Toro

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  Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It’s part of acting.

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  License to Kill’ is not one of the great Bond movies.

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  I don’t think I could be a foot soldier. I don’t know if I could take orders too good. I’m a little lazy.

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  To me the thing with ‘Grease’ was that it was the first movie that as a kid I wanted to get up and do what they were doing.

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  You deal with failure – strike, strike, strike – all the time. Acting is like that. You have to have a very thick skin in a way – your hair is too dark, you’re too ugly for the part, your audition wasn’t good.

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  I think having a vision can make someone an influential man. I’m not talking about acting or anything like that, I’m talking about people I admire, whether it’s a writer or a musician or a sports figure or a politician, whatever.

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  Before I was ever in high school, I had dark circles under my eyes.

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  Some roles have been with me forever

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  Before I was even in high school, I had dark circles under my eyes. Rumor was that I was a junkie. I have dark circles under my eyes, deal with it.

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  When you do a movie the clock is ticking. It’s like a sport.

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  The very first things that I did, even in theater, were bad guys. They are meaty roles for the most part. With the bad guy you have more freedom to experiment and go further out than with a good guy.

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  I trained as a theatre actor and you had a bare stage and you had to pretend, one prop and you are in the middle of 8th Ave. and traffic is just going by.

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  I’ve had people ask me: ‘How can you make a movie about a murderer? A terrorist?’ What they don’t understand is that I’m in support of everyone who appears on screen. I have to be. I take the position of everyone who’s on screen. I’m not judging them one way or another.

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  Villains used to always die in the end. Even the monsters. Frankenstein, Dracula – you’d kill them with a stake. Now the nightmare guy comes back.

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  There’s something about the Oscar that gives you sort of stripes where you feel you can dare to walk into a studio like Universal and say, “Hey guys, how about an idea of me playing the wolf man?”

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  To be honest with you, I’d rather not be working. When you work, there are all sorts of deadlines and pressures. I like to do one thing and take my time to do the other one.

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