And I was like, “Yeah, anything. Twenty-four hours times five is 120 hours. Oh, great, I’ll fill 120 hours of my life with something.” So I did that and it was fun, and then I did Flirting with Disaster.
BEN STILLERPeople like to define you through what they’ve seen you do. There are aspects of my personality, I guess, that come through on-screen, but I don’t sit around thinking, ‘I’ve been a bumbling suitor all my life.’
More Ben Stiller Quotes
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Fashion is so over the top.
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All those rumors about her being underweight are trash. She’s [Calista Flockhart] gorgeous.
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It’s weird that people expect me to be funny. I find it a real burden when I’m expected to be humorous on talk shows.
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I don’t play hockey at all. I’m not comfortable on skates.
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It’s what I wanted to do with my life. Not necessarily just direct Jim Carrey movies, but to direct and act and write and create and along the way discover what it is that I’m about.
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I wanted to be funny for people who didn’t care about fashion at all, to just to kind of exist as a silly character.
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I studied Tom Cruise running in all the Mission Impossibles. I think he’s one of the best screen runners.
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It’s great to work with the people who make you laugh and who are funnier than I am.
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I don’t think know if anything’s going to translate anywhere. You’re making a movie, you hope it’s going to be funny, you can’t think about how it’s going to go over.
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I don’t think it’s ever easy to be funny. I find it easy to amuse myself with a certain sort of cynical dark humor that tends toward the meaner side, like my character in Happy Gilmore. Those kinds of characters come easily to me.
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I think the most serious genre is the thing you’re going to get the most out of. If you’re trying to satirise a comedy, it’s hard to do that – it doesn’t really work as well. But I love the war movie genre and I’m a fan of all those movies that are part of what this movie is.
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Oh, you can milk just about anything with nipples.
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I know that I’m better as an actor when I’m working with a good actor. I think anytime you’re working with a better actor, it makes you a better actor.
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When I was growing up, This is Spinal Tap [1984] was the ultimate comedy, and it was the kind of thing I wanted to do. But you get to a point with parody where you can’t go much further because ultimately it’s feeding off of somebody else’s creativity.
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I think you never want to have to go into the scene having to improvise; you want to make sure its working on the page. But I do like to have the ability to try stuff just in the moment, to give it some sort of spontaneity.
BEN STILLER