In New York, I was excited about the music in New York because the only music that I was more or less involved with in the South was either country and western or hillbilly music as we used to call it when I was a kid and, ah, gospel.
I think that the song, the song “Stand By Me” is one of those songs that… and someone asked me, what was you thinking about or what was you feeling about?
The Phil Spector that I would meet has always been a nice, quiet, little guy who’s very serious about his work; obviously you can tell that because each and everything he’s ever done has always been charted.
Of course, the kids who had never heard of a person called Ben E. King were then aware of the name associated with the song. That gave a tremendous lift to me as an artist.
There was no, there was no in between. And when I got to New York all the other musics that’s in the world just came into my head whether it was the classics, jazz, I never knew what jazz was about all, had heard anything about jazz.
A singer has got a different attitude, they’re they’re so whacked out they don’t know what they’re doing half the time. Singers, they don’t, they’re spoiled too.
If you just concentrate on what you’re doing and allow yourself to actually enjoy and let your feelings come out, whatever the tempos, whatever the rhythms, whatever the songs, 9 out of 10 times it will work.
I’m a songwriter. So I’m OK. But when I wrote “Stand By Me” as a song and to know that the song will probably be here for hundred and hundreds of years to come, it’s great, you know. And it was just simple lyrics.
One minute we can be in a small club, the next minute we can be in a coliseum, and the next minute we can be in a small auditorium. It varies, depending on the promoter, the budget, and the travelling distance.
When the night has come and the land is dark and the moon is the only light we see. No, I won’t be afraid, no, I won’t be afraid, just as long as you stand, stand by me.
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