“I have a lot of intention behind what I put out there. The reason all this stuff I do works together, the environmental and social, collaborating with ballet companies to score a show, the bike tour – all of that stuff comes together through community building with music.”

I’m interested in questions my son asks me, like, “Why do animals fight? Why do you have to leave us to go on the road?” Everything he asks gets me thinking.

New York is the culture capital of the world because people are running into each other on the street all the time. They are forced to engage in creativity and problem-solving.

It’s funny, people often ask me, “Why do you do bike tours where it takes three times the effort and you make one-third of the money?” My answer is that I’m trying to do it ethically. What does that mean, exactly? That conflict is a big part of my art.

But that would put me on a path that would make me totally divergent from who I am. I don’t have to go through the heartache many other people go through, of figuring out what makes them “wealthy.” I know what brings me joy.

There are not a lot of paths through the woods for someone who sings, plays the cello, and wants to tour on a human scale and create change in the world. I’m on my own path. It’s pretty awesome.

I’m definitely musician and storyteller. But I always like to take an active role in things I care about socially and environmentally.

The reason I make art is because I get to make a choice about who I am, what I do, and what I put out into the world, the footsteps I leave behind.

You pull into the venue, check into the cheap hotel you can afford, eat whatever is there, sleep, wake up, and repeat. You’re not really participating in the community.

For every show that we do, anyone that rides public transit, bikes, or walk, we offer them a $5 voucher at the merch table. It gets people using the infrastructure in the area.

I’m a husband and a dad. Two thirds of my day is spent being that character. It’s a huge part of my identity and why I pursue things I do. I’m interested in questions my son asks me, like, “Why do animals fight? Why do you have to leave us to go on the road?”

I’m a husband and a dad. Two thirds of my day is spent being that character. It’s a huge part of my identity and why I pursue things I do.

I felt like I was cheating myself of those communities and cheating the audience because I wasn’t able to know them. That’s what the bikes did, without me having to put any arbitrary philosophy on what it was supposed to be. It enabled human connection.

Hopefully, the venues where we play will lobby city council and say, we need bike paths, sidewalk repair. That stuff affects so many people’s lives.

Cities like Portland, Seattle, and Long Beach, which have made these investments in their infrastructure, are seeing not only health advantages, but also a lot more exchange in the community, which leads to better policy-making and stronger communities.

I’m in a position I never imagined I’d be in as a musician. Bob Dylan built an audience through recording and live shows. The opportunities for an artist today are totally different.

I feel really passionately about safe, comfortable roads, crosswalks, and sidewalks. Everyone of all economic backgrounds should be able to get to school or the grocery store safely and efficiently so they can live better lives.

I’ve never danced professionally as a ballet dancer, but all of my training is ballet, and I am a Fosse dancer.

It’s no good running a pig farm badly for 30 years while saying, ‘Really, I was meant to be a ballet dancer.’ By then, pigs will be your style.

I suppose I’m the only person who remembers one of the most exciting of his ballets-it’s the fruit of an unlikely collaboration between Nijinsky on the one hand and Sir Arthur Conan Doyle on the other.

Many other women have kicked higher, balanced longer, or turned faster. These are poor substitutes for passion.

Ballet technique never becomes easy, it becomes possible

A good education is usually harmful to a dancer. A good calf is better than a good head.

I started with ballet and then my cousin Sarah introduced me to her tap teachers.

Badminton is like ballet dancing. It requires a lot of control, strength, mind play and measured movement