The common, the quotidian, is so much more unyielding to me, really stubborn and hard to work with, and I like this because it makes me think and it makes me worry. I can’t just plunge my hand into the meat of it. I need new approaches.
BEN MARCUSWhen I started writing at 18 or 19, I had a fear of anything autobiographical, but I’ve come to realise that my writing is very autobiographical at the emotional level.
More Ben Marcus Quotes
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My first book, ‘The Age of Wire and String,’ came out in 1995, and it was hardly reviewed at all.
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It amazes me that parents are allowed to raise kids. There’s so much power and often very little accountability.
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In certain strains of Judaism, there’s a profound passion for the ineffable. Contemplation of God is meant to be forever elusive, because, you know, our tiny minds can’t possibly comprehend Him. If we find ourselves comprehending Him, then we can be sure we’re off track.
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Slamming the book shut produces a wind on the face, a weather that is copyrighted by the author, and this wind may not be deployed without permission, nor may the pages be turned without express written permission.
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To refrain from storytelling is perhaps one of the highest forms of respect we can pay. Those people, with no stories to circle them, can die without being misunderstood.
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Teaching is all armchair. I learn about writing by writing and thinking about what I’ve written and throwing it away.
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My parents showed me by example that they could balance their work and family lives.
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RHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of.
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Among other things, autoimmune disorders are an induction into a world of unstable information and no reliable expertise.
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Suspense left my life a long time ago, now it has returned. I do not care for it.
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My goal, with whatever I’m working on, is to lose track of time.
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I’m an enormous fan of Thomas Bernhard’s books, and I like the relentless feeling in his work – the pursuit of darkness, the negative – and I think in some sense I’ve internalised that as what one is supposed to do.
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You can test things out without terrible consequences. Or maybe the consequences are there, but they are deferred, buried, much harder to detect.
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I love the way dates in a text make us think that truth will follow.
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Judaism to me, as badly as I practiced it, what I’ve always loved about it was its total embrace of complexity, its admission of unknowability.
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