I can remember how I sang – a little more nasal-y back then. Listening to those old recordings is like seeing a photograph of yourself from 10 years ago. You’re wearing what you thought looked cool at the time. You had your hair styled the particular way you thought looked cool.
BEN GIBBARDI have always been very open and earnest about some things in my life, some things that are not directly in my life, but they’re twirling around me at the time.
More Ben Gibbard Quotes
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I feel like there’s a lot of beauty in the darkness of ‘Narrow Stairs,’ but that’s not really a place I’m ready to go to for a while. I’m interested in taking a different approach and having the next record be different in tone – I’m just not interested in making another dark, dark album.
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Everybody has a language or code that they use with their wife or their girlfriend or boyfriend or what have you. It’s a language aside from the language they have with strangers.
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Bands who are in their early 20s today, they are living in their own time and they have a series of parameters they have to work around.
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The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you’re listening to the song because they’re so seamless and clever.
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I was literally just going and applying for jobs, and I couldn’t get a job, and I was getting more and more broke, and you find yourself groveling for jobs you don’t even want.
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You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
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An ex-girlfriend once got upset when I told her that music is the most important thing in my life. It’s more important than anyone else could ever be.
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I can remember sitting up in guitarist Chris Walla’s bedroom and for the first time in my life having this realization like, “Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play.”
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There were two recording studios in Bellingham. One was really expensive, a “nice studio.” We were at the point where we were young and irreverent.
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We would scoff at the idea of a nice studio. “Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that’s really fancy. Well we’ve got an eight-track. We’ve got it going on here.”
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If there is one thing I think I have accomplished, it’s that I always thought of myself as a very literal songwriter, and as I look at some of those older records.
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Death Cab is a militantly analog band. We’ll continue moving forward with our sound, but there will be no crossover.
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A lot of the material is about the inevitable disappointment people feel as they move through life, and things don’t feel the way they expect. No experience will ever match up to the idealized version in your mind.
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As a songwriter, I’m not necessarily writing about myself or my life.
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We wanted to be like R.E.M., but the reality is that 15 years after R.E.M. was putting out those records, the playing field had changed drastically as well.
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