“As a small kid, I came across things like these early Edward Gorey books in department-store bookstores. These were these really unusual objects to me. I didn’t know how they fit into the comic world or into newspaper comics.”

I think Jewish history did away with a priesthood when the Temple was destroyed, and it became, supposedly, a religion of scholars. A rabbi is just a scholar.

I think architectural appreciation would be a minor occupation after a nuclear war. People would just be happy to have something to eat.

I live in an apartment building built in 1925, and it hasn’t been heavily renovated, so I feel very much connected to that time and what went on in that place.

The click [of a light switch] is the modern triumphal clarion proceeding us through life, announcing our entry into every lightless room.

Really interesting novels, they always are so demanding of you on some level that you don’t fall asleep.

You know how misleading an image is. You see an image in the newspaper, if they left the caption off, good luck knowing what’s going on. There is something inherently misleading about images, so they need annotation.

A picture story just doesn’t run like a film. It doesn’t have 24 frames per second. It doesn’t deal with this illusion of movement. It’s more like if you did an illuminated novel.

I never wore a watch. I always depend on public clocks, and stores have clocks, but that is strange.

You can have your own watch and always doubt it. If I had a watch I’d probably always be doubting it or the batteries would be dying. I just know that people always have trouble with their watches, and that’s why I like public clocks.

I’ve wasted the last five years of my life dealing in religious articles. People today find spiritual solace in ballroom dancing.

I always lived in old buildings, and I thought about who lived here before. You’d have to be oblivious not to.

I’m very interested in music and where these sounds of Western music come from.

How can you think that that will evoke the past? It doesn’t even have to evoke anything, but anyway, it’s how we’re living. It’s this moment where nobody has to immediately think too much about how things are being documented. It’s a great time.

Certain movies that are trying to evoke history are just like being in an antique store, and all you notice is that all the stuff has been gathered together, and it feels like a pile of antiques.

A picture story just doesn’t run like a film. It doesn’t have 24 frames per second. It doesn’t deal with this illusion of movement.

I was born Moishe Ketzelbourd but the Indians call me Maurice Cougar.

If we reduced the amount we spend on maintaining our nuclear weapons by a small fraction, we could reallocate those funds to improve kids’ health care and schooling.

I was always into performing and dancing as a kid and acting was a safe place to have all my feelings, which is good as a child.

Rock and roll is – and should be – a kid’s place.

Those things don’t happen today. I feel sorry for the kids in the industry today. They have on sunglasses, eat caviar in jet planes, but they’ll never know the true feeling that we did.

I see the kids and I feel like taking them all away to a safe place to hide until the war stops and the hunger stops and El Cua becomes strong enough to give them the care they deserve.

It amazes me that parents are allowed to raise kids. There’s so much power and often very little accountability.

In my day, we didn’t have the cocaine, so we went out and knocked somebody over the head and took the money. But today, all this cocaine and crack, it doesn’t give kids a chance.

I work, and then I leave the office, and I’m with my kids and just sort of enjoy them on a visceral level, and I don’t feel like I’m exorcising my own deep ideas about parenthood and about how my life will come into play in my work.