As I toiled up the Mount of Olives, in the very footsteps of Christ, panting with the heat and the difficult ascent, I found it utterly impossible to conceive that the Deity, in human form, had walked there before me.
The lamp you lighted in the olden time Will show you my heart’s-blood beating through the rhyme: A poet’s journal, writ in fire and tears… Then slow deliverance, with the gaps of years.
Sometimes an hour of Fate’s serenest weather Strikes through our changeful sky its coming beams; Somewhere above us, in elusive ether, Waits the fulfilment of our dearest dreams.
The healing of the world is in its nameless saints. Each separate star seems nothing, but a myriad scattered stars break up the night and make it beautiful.
Departed suns their trails of splendor drew Across departed summers: whispers came From voices, long ago resolved again Into the primeval Silence, and we twain, Ghosts of our present selves, yet still the same, As in a spectral mirror wandered there.
The nearest approach I have ever seen to the symmetry of ancient sculpture was among the Arab tribes of Ethiopia. Our Saxon race can supply the athlete, but not the Apollo.
It is an agreeable and yet a painful sense of novelty to stand for the first time in the midst of a people whose language and manners are different from one’s own.
Voluptuous bloom and fragrance rare The summer to its rose may bring; Far sweeter to the wooing air The hidden violet of spring. Still, still that lovely ghost appears, Too fair, too pure, to bid depart; No riper love of later years Can steal its beauty from the heart.
Melrose is the finest remaining specimen of Gothic architecture in Scotland. Some of the sculptured flowers in the cloister arches are remarkably beautiful and delicate, and the two windows – the south and east oriels – are of a lightness and grace of execution really surprising.
