I’ve always loved the old epics that tell a simple emotional story, whether it’s the tumultuous relationship between Rhett and Scarlett or Lawrence of Arabia’s passion to get lost in a faraway place.
Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don’t manage that – but when an opera does do it, you never forget it.
One of the great things about Sydney is that it has a great acceptance of everyone and everything. It’s an incredibly tolerant city, a city with a huge multicultural basis.
