Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.
JOHN BERGERBetween the experience of living a normal life at this moment on the planet and the public narratives being offered to give a sense to that life, the empty space, the gap, is enormous.
More John Berger Quotes
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What is significant, and is so difficult for the urban stranger to understand, is that the two statements are connected by an and not by a but.
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Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects.
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When we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss.
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The power of the glamorous resides in their supposed happiness: the power of the bureaucrat in his supposed authority.
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Painting is something that you need to do, if not every day, then certainly most days. It is almost like being a pianist: if you stop, you lose something.
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Capitalism survives by forcing the majority, whom it exploits, to define their own interests as narrowly as possible.
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This is not because they are callous or personally inhuman: it is because they live in and accept a society which is incapable of knowing what a human life is worth.
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Never again shall a single story be told as though it were the only one.
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Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.
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One of the fundamental reasons why so many doctors become cynical and disillusioned is precisely because, when the abstract idealism has worn thin, they are uncertain about the value of the actual lives of the patients they are treating.
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Nothing fortuitous happens in a child’s world. There are no accidents. Everything is connected with everything else and everything can be explained by everything else. . . . For a young child everything that happens is a necessity.
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There’s the artist’s intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn].
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We never look at just one thing; we are always looking at the relation between things and ourselves.
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It is seeing which establishes our place in the surrounding world; we explain that world with words, but words can never undo the fact that we are surrounded by it
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What distinguished man from animals was the human capacity for symbolic thought, the capacity which was inseparable from the development of language in which words were not mere signals, but signifiers of something other than themselves.
JOHN BERGER