“A movie is never any better than the stupidest man connected with it.”

He was in love with life as an ant on a summer blade of grass.

They’re a symbol of the whole town, pretending to fight, love, weep and laugh all the time – and they’re phonies, all of them. And I head the list…their phony hearts were dripping with the milk of human kindness.

When you overpay small people you frighten them. They know that their merits or activities entitle them to no such sums as they are receiving. As a result their boss soars out of economic into magic significance.

Criticism can never instruct or benefit you. Its chief effect is that of a telegram with dubious news. Praise leaves no glow behind, for it is a writer’s habit to remember nothing good of himself.

There is nothing as dull as an intellectual ally after a certain age.

Of the things men give each other the greatest is loyalty.

The only practical way yet discovered by the world for curing its ills is to forget about them.

Out of the seventy movies I’ve written some ten of them were not entirely waste product.

I haunted streets, whorehouses, police stations, courtrooms, theater stages, jails, saloons, slums, madhouses, fires, murders, riots, banquet halls and bookshops.

Three years ago, the white hope of the theatre. Today, a mug. That’s New York for you. Puts you on a Christmas tree, and then – the alley.

Prejudice is a raft onto which the shipwrecked mind clambers and paddles to safety.

The rule in the art world is: you cater to the masses or you kowtow to the elite; you can’t have both.

People’s sex habits are as well known in Hollywood as their political opinions, and much less criticized.

Bad writing is not easier than good writing. It’s just as hard to make a toilet seat as it is a castle window. Only the view is different.

I have known a number of Don Juans who were good studs and who cavorted between the sheets without a psychiatrist to guide them. But most of the busy love-makers I knew were looking for masculinity rather than practicing it. They were fellows of dubious lust.

I know that a man who shows me his wealth is like the beggar who shows me his poverty; they are both looking for alms from me, the rich man for the alms of my envy, the poor man for the alms of my guilt.

And yet the world we live in-its divisions and conflicts, its widening gap between rich and poor

Growing inequality is a huge problem, and of course is intimately connected to xenophobia and racism.

I think, for the majority of my twenties, I was always so concerned with what I didn’t have, or what I still wanted.

I think that’s why it feels like songs are really connected, and I like that. They’re all worked on kind of like a little family.

Now almost every artist outside of New York is connected with some school or some museum school, and even in New York the majority are.

One of the reasons I’ve felt so connected to poetry throughout the years is because it’s the only art form that has breath built into it. And I need that breath now. I need that breath so much. So, yes, it is a refuge for me. Absolutely.

I remember weeping behind the camera, because I was so moved by the way they connected.

The literary work is more mystical, because it’s only the writer, and connected to something inside.