Anonymity lets me concentrate exclusively on writing.
ELENA FERRANTEWriters, because they write, are condemned never to be readers of their own stories…The memory of first putting a story into words will always prevent writers from reading their work as an ordinary reader would.
More Elena Ferrante Quotes
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Writing for me is a dragnet that carries everything away with it: expressions and figures of speech, postures, feelings, thoughts, troubles. In short, the lives of others.
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Climbing the economic ladder has been very hard for me; I still feel a great deal of guilt towards those I left behind.
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The circle of an empty day is brutal and at night it tightens around your neck like a noose
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Existence is this, I thought, a start of joy, a stab of pain, an intense pleasure, veins that pulse under the skin, there is no other truth to tell.
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I didn’t choose anonymity.Instead, I chose absence.
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He was going through one of those moments that you read about in books, when a character reacts in an unexpectedly extreme way to the normal discontents of living.
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The rules say that to tell a story you need first of all a measuring stick.
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The essential, however, was to know how to play, and she and I, only she and I, knew how to do it.
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I no longer protect myself from the world I grew up in. Rather, today I try to protect the feelings I have for that world, the emotional space where my desire to write first took hold, and still grows.
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Writers, because they write, are condemned never to be readers of their own stories…The memory of first putting a story into words will always prevent writers from reading their work as an ordinary reader would.
ELENA FERRANTE -
It’s the people who love us or hate us – or both – who hold together the thousands of fragments we are made of.
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My work stops at publication. If the books don’t contain in themselves their reasons for being – questions and answers – it means I was wrong to have them published.
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I have always paid careful attention to social and economic conflicts, to the dialectic – if we can call it that – between high and low. Maybe it’s because I was not born or brought up in affluence.
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Certainly something had happened to me during the night. Or after months of tension I had arrived at the edge of some precipice and now I was falling, as in a dream slowly, even as I continued to hold the thermometer in my hand, een as I stood with the soles of my slippers on the floor.
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As a girl – twelve, thirteen years old – I was absolutely certain that a good book had to have a man as its hero, and that depressed me.
ELENA FERRANTE