If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture – not only national culture but global culture.
BARBARA KRUGERIf most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture – not only national culture but global culture.
BARBARA KRUGERI think architecture is one of the predominant orderings of social space. It can construct and contain our experiences. It defines our days and nights. It literally puts us in our place.
BARBARA KRUGERI’m an artist who works with pictures and words. Sometimes that stuff ends up in different kinds of sites and contexts which determine what it means and looks like.
BARBARA KRUGERI’ve always been very tied to language.
BARBARA KRUGERProminence is cool, but when the delusion kicks in it can be a drag. Especially if you choose to surround yourself with friends and not acolytes.
BARBARA KRUGERArchitecture is my first love, if you want to talk about what moves me… the ordering of space, the visual pleasure, architecture’s power to construct our days and nights.
BARBARA KRUGERPhotography has saturated us as spectators from its inception amidst a mingling of laboratorial pursuits and magic acts to its current status as propagator of convention, cultural commodity, and global hobby.
BARBARA KRUGERDo you know why language manifests itself the way it does in my work? It’s because I understand short attention spans.
BARBARA KRUGERI’m living my life, not buying a lifestyle.
BARBARA KRUGERTeaching at university isn’t like teaching in an art school.
BARBARA KRUGERMemory is your image of perfection.
BARBARA KRUGERIt’s hard for me to understand how working-class people support themselves.
BARBARA KRUGERI work with pictures and words because they have the ability to determine who we are, what we want to be and what we become.
BARBARA KRUGERDoubt tempers belief with sanity.
BARBARA KRUGERYou know, one of the only times I ever wrote about art was the obituary of Warhol that I did for the Village Voice.
BARBARA KRUGERIt’s really hard for me to use the term ‘history’ in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I’d rather stick to the pluralness of ‘histories’ in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.
BARBARA KRUGER